We are haunted by what we cannot fully identify, by what we cannot make identical to what we already are, have, and know. AIDS is visible, as is the South Central Los Angeles riot/revolt, the dead eyes of Amy Fisher, the pubic hair in Clarence Thomas' Coke, the Branch Davidian Compound shimmering in the distance, and much more. The intensity of all this does not escape the general public. Popular film plugs into this haunting power because it attracts a mass audience. This book is about what haunts the headlines as well as the Big Screen in America during 1990-1992.
Joseph P Natoli is a retired college professor and author of numerous books on culture and politics.
He is a member of the editorial collective of BAD SUBJECTS, the oldest political online magazine on the web.
He writes regularly for a number of political and pop culture online magazines, including SENSES OF CINEMA, BRIGHT LIGHTS FILM JOURNAL, POPMATTERS, AMERICANA, DANDELION SALAD, GODOT, TRUTHOUT
Palestine’s planetary significance is threefold: first, there is its geography at the conjunction of three continents, Asia, Africa, and Europe, and the waters among them. Second, there are the extractions [...]